“Love Side Story: Lee Wae-soo’s Way of Love”

March 31, 2024 52 Views

Despite being an elderly figure, the late Lee Wae-soo, a writer, was known for his unique ability to communicate with the younger generation, even creating and actively using the language used by the youth.

Having cultivated an image akin to what is colloquially termed a “guru,” Lee Wae-soo even appeared on a TV program called “Kneecap Guru,” introducing himself as such: “I have behaviors that I consider guru-like. In Korea, when someone says they write, draw, or make music, they’re dismissed. They’re thought to be cold and hungry. However, for 30 years, I’ve been able to support my wife and children without starving while writing. That’s the epitome of being a guru.”

“Lee Wae-soo’s Way of Love: Love Side Story”

Lee Wae-soo, known for this “guru” image, was also a writer who effectively communicated with the modern generation, often leading trends with his essays. The book “Love Side Story” is a collection of essays that perfectly align with Lee Wae-soo’s image.

This book gives off a light-hearted vibe, making it easy to read and enjoy while providing a refreshing mental break.

Reading the book didn’t feel burdensome at all. As the essays were based on experiences or events that one could relate to in everyday life, they were light, engaging, and interesting. While it may not leave a lasting impression due to its light nature, one memorable aspect stands out:

“I live with a persevering spirit.”

The term “persevering spirit” frequently used in the book refers to an unwavering determination to persist through difficulties. Although this term might feel somewhat coarse for a prominent writer like Lee Wae-soo to use, it is precisely this aspect that adds to his charm.

He doesn’t shy away from using contemporary language that resonates with the current generation, disregarding any biases in vocabulary selection. While some writers may feel uncomfortable with language evolution, Lee Wae-soo wholeheartedly embraces and actively uses the words commonly used by today’s youth, which is quite impressive.

Moreover, while the book appears light, it carries a weighty yet subtle sentiment. Most of the essays, though seemingly easy to write, possess Lee Wae-soo’s unique touch that makes them challenging to replicate. It suggests that insightful observations about life are necessary to write about heavy topics lightly.

Although not filled with flowery language, the essays deliver a quiet emotional impact, akin to savoring a rich miso stew.

After reading the book, one might find themselves attempting to emulate Lee Wae-soo’s writing style:

“Spring, summer, autumn, and winter are all seasons suitable for love, and there isn’t a season favorable for parting. Despite having lived for only a few decades, I’ve experienced parting hundreds of times. To those who have left me, farewell. As for me, I’m doing just fine.

It’s a quiet Saturday evening. I’m not sure when this writing will be published, but someday it will be. After enduring a long winter, spring finally arrives. As I come to my senses, I feel the warmth of spring.

A small bump has formed under my tongue. It stings whenever I play with it. I understand now. It means to eat well and rest plenty.

Winter will leave without being urged, and spring will come without being called. No, it’s already here. Despite knowing this, I’m feeling impatient, realizing that I still have much to learn.”

“Love Side Story: Lee Wae-soo’s Way of Love”